Ashland Center for Theatre Studies
- Current A La Carte Courses:
- Survey of Dramatic Literature (online)
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Costume Crafts: Dyeing and Distressing
- Mask Making & Movement
- VectorWorks for the Theatre
- The Director and the Rehearsal Process
- Past A La Carte Courses:
-
Shakespeare: Text to Performance
- Stage Combat
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Intelligent Use of Automated Lighting
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Shadow Puppetry: Writing, Design, Performance
- Choreography for Musical Theatre
- Costume Crafts From Head to Toe
- Dramaturgy
- Voice & Movement for the Actor
- Theatrical Combat Certification
-

A La Carte Course
Mask Making and Movement
July 25-30, 2010
Ashland, Oregon
A week-long 3-credit graduate level course geared toward high school and community college theatre educators, covering several mask-making techniques and ways to use masks in theatre:
- Discover how to use masks as a teaching, acting, and rehearsal tool
- Explore different types of movement appropriate to different types of masks (neutral, character, abstract, and fantasy/animal)
- Investigate plaster casting and sculpting techniques
- Work with professional artists
- Learn standard performance and safety requirements for working with masks (vision, fitting, and rigging)
- Discuss history and cross-cultural uses of masks
- View and analyze the Oregon Shakespeare Festival production of Throne of Blood
- Come away with lesson plans for three levels of mask-making projects you can use in your school


Here's what our students say:
- "An excellent combination of theory, movement, and technical (mask-making) practice"
- "I learned more than I expected and the information extended beyond mask making to help with other aspects of theatre."
- "I loved the passion that both Jamie and Deborah bring to their work and to the class. I feel inspired and rejuvenated by the breadth of ideas and expression."
- "It exceeded my expectations. I have so much to take back to the classroom, but I also have new direction and ambition in my own artistic work."
- "This is a brilliant collaboration. Deborah and Jamie have different strengths that compliment each other. Their pleasure at sharing their passion for masks is clearly evident. They are also able to create an emotionally safe environment in which to work."
Faculty
Jamie Peck, OSF actor and mask maker
Deborah Rosenberg, SOU costume design faculty
Daily Schedule
| 7:00-8:00 am | Breakfast |
| 9:00-11:30 am | Morning session: movement work |
| 11:30 am-12:30 pm | Lunch |
| 12:30-2:30 pm | Afternoon session 1: mask construction |
| 3:00-5:00 pm | Afternoon session 2: mask construction |
| 5:00-6:30 pm | Dinner |
Evening Schedule 2010
| Sunday 7/25, 7:00pm | Welcome reception, orientation |
| Monday 7/26 | Research homework |
| Tuesday 7/27, 8:30pm | OSF play Throne of Blood |
| Wednesday 7/28, 7:00-9:30pm | Lab open for working on mask sculpture |
| Thursday 7/29, 7:00-9:30pm | Lab open to finish masks and work on final presentations |
Application Information
Application deadline is postmarked March 1, 2010. Space is limited to sixteen students.
Prerequisite: Bachelor's degree or permission of the instructor. ACTS Master of Theatre Studies students get first priority. This course may serve as one of the required additional 3-credit courses toward the Master of Theatre Studies degree.
Complete the a la carte Application Form and include application deposit and resume. Note: ACTS Master of Theatre Studies applicants do not need to send additional deposit and resume; simply check the box on the Master of Theatre Studies Application Form indicating you also want to attend this course.
We will send notification letters postmarked no later than March 19, 2010. At that time we will send you your pre-session assignment. You will be billed separately by SOU for your tuition and housing.
Fees
Tuition $897
Materials/tickets $89
An application deposit of $50 ($80 if application postmarked after March 1, 2010) must accompany your application if you are not also applying for the Master of Theatre Studies.
2010 Room and Board
Single room $324
Double room $219
Meal plan $170