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I believe that enhancing what students take out
of a classroom begins with acknowledging what they bring into it. For a
class to succeed, students must feel comfortable enough to voice their real
reactions instead of what they feel is expected of them. This kind of openness
depends on a sense of security I can foster in several ways: by demonstrating
my command of the material, by structuring the semester logically, by ensuring
that discussions are respectful and productive, and by clearly establishing
what I expect of my students. But the most important thing is that I recognize
the students' insights and experiences as valid starting points for their
inquiry into the subject matter at hand.
"College is not for sponges," one of
my undergraduate professors used to remark, his point being that habits
of mind stay with you long after facts and figures fade from memory. My
aim in a class is not only to teach students to appreciate specific texts,
but to encourage a hunger to read and reflect upon other texts, and to inculcate
careful interpretation as a habit of mind. As a junior, I took an architecture
class that literally changed the way I see. Whether on a pilgrimage to a
Louis Sullivan building or sitting quietly in a Dairy Queen, I now have
the intellectual tools to notice how form sculpts space, and to reflect
on the particulars of my aesthetic environment. My goal in every class is
that students become familiar with similar tools for interpreting their
historical and cultural environment.
Students should leave my courses with at least
these things: an enhanced appreciation of literature and a desire to read
more of it, an increased awareness of the complex cultural histories of
the literature and traditions we study, and new interpretive skills to help
them to navigate the bewildering array of information they encounter daily.
I do not so much want to change the way they see the world as to give them
intellectual tools to read it with more depth, discrimination, and power. |